LASST UNS ERFRUEN is a very frequent Easter tune, here setting John Mason Neale’s translation of Claro Paschali Gaudio C5 Latin. It seems to be more usually set to PUER NOBIS NASCITUR.
The text is public domain so I’m putting up the version in CWB II. It has an extra verse and some rearrangements of lines compared to other versions I have seen and lots of alleluias.
1 That Easter day with joy was bright, the sun shone out with fairer light, Alleluia, allelulia! when, to their longing eyes restored, the glad apostles saw their Lord. Alleluia, alleluia, allelulia! Alleluia, allelulia!
2 His risen flesh with radiance glowed, his wounded hands and feet he showed, Alleluia, allelulia! those scars their solemn witness gave that Christ was risen from the grave. Alleluia, alleluia, allelulia! Alleluia, allelulia!
3 O Jesus, strong in gentleness, who with your grace our hearts possess, Alleluia, allelulia! that we will give you all our days the willing tribute of our praise. Alleluia, alleluia, allelulia! Alleluia, allelulia!
4 O lord of all, with us abide in this our joyful Eastertide; Alleluia, allelulia! from every weapon death can wield. your own redeemed forever shield. Alleluia, alleluia, allelulia! Alleluia, allelulia!
5 All praise to you, O risen Lord, from death to endless life restored; Alleluia, allelulia! to God the Father equal praise, and Spirit blest, our songs we raise. Alleluia, alleluia, allelulia! Alleluia, allelulia!
OK, this is another good song in CWB II that I haven’t come across before in their songs for Easter, so I should cease my complaining.
This is a Taize song by Jacques Berthier where the assembly sings “Surrexit Christus” and “Cantate Domino” instead of “Christ is Risen” and “Sing to the Lord” because they may sing the verses in many possible languages and they can all sing Latin together.
The cantor sings the verses in their own language, while the assembly hums. Cantus Mundo has the English text.
This is a lovely song from Jennifer O’Brien for Easter that is a good find in Catholic Worship Book II.
The tune has a slightly irregular structure with only seven bars in the refrain. The melody goes off in interesting directions in the eight bar verse.
The only source I can find is CWB II, so for those who have that I made a backing. I guessed the chords. which wasn’t hard but really should have been included.
“Now Is Eternal Life” fits the pattern of a c20 copyright text set to an older traditional tune. The text is by George Wallace Briggs (1875-1959) and here the setting is HAREWOOD by Samuel Sebastian Wesley (1810-76), although it is usually set to other tunes. (eg CHRISTCHURCH)
The text is here, although CWB II cuts the second verse shown there and with good reason.
I got the chords from Together in Song to make my backing because they certainly weren’t in CWB II.
Christopher Willcock translated Didier Rimuad’s Easter text and set it to music.
The text is in the preview at OCP, where you can purchase the sheet music. Listen to the preview to hear the challenging yet marvellous music. I think the verse needs a cantor and really a choir for the counterpoint would be best.
I've worked my way through the As One Voice books and other collections making backings on Band in a Box to help me (& you if you're interested) learn new songs for church. This is aimed at churches and musicians that own the collections but haven't exploited them fully. If you don't have them they are certainly worth buying. This site is educational, nonprofit and designed to enhance the commercial prospects of songwriters. This site does not distribute copyrighted sheet music.
Disclaimer
Any opinions expressed here are personal views and not the responsibility of any Church.
All music backings posted are created by myself and the intention is for them to be used to learn the songs. If any copyright holder wishes me to cease publicising and promoting their wares and directing people to where sheet music can be legally purchased please let me know.
Mason’s “Mass of Glory and Praise”
To access my backings for Paul Mason's mass go to Feb 2011 in the archive.