In the Stillness of the Night

This is another Dan Schutte song that has made OCP’s list for Breaking Bread in 2026.

It is a song imagining the vigil of Mary Magdalene at Christ’s tomb. It is a conversation between the Magdalene and Jesus so I suppose it for a duet and choir. It has some of his usual flourishes with tempo variations and a 4/4 bar thrown into the verse.

The sheet music is at OCP who provide the text in their preview.

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I Heard the Voice of Jesus Say

This is a setting of Horatius Bonar‘s venerable text using THE MOREEN a traditional Irish tune. It has been added to OCP’s Breaking Bread for 2026.

Growing up a Presbyterian I sang a lot of this Scotsman’s words but not to nice Irish tunes and that makes a difference. I must admit he struck me as the William McGonagall of hymns that went on forever with dreary tunes – in my defence I was a dreadful child.

OCP has stuck with some archaic language (eg “thy”) but has an uplifting arrangement by Paul A. Tate and Justin Wedgewood, which you can purchase at OCP.

Hymnary notes 104 tunes that have been used for this text including KINGSFOLD.

I heard the voice of Jesus say, “Come unto Me and rest;
Lay down, O weary one, lay down your head upon my breast.”
I came to Jesus as I was, weary, worn, and sad;
I found in Him a resting place, and He has made me glad.

I heard the voice of Jesus say, “Behold I freely give
The living water; thirsty one, stoop down and drink, and live.”
I came to Jesus, and I drank of that life-giving stream;
My thirst was quenched, my soul revived, and now I live in Him.

I heard the voice of Jesus say, “I am this dark world’s Light;”
Look unto Me, your morn shall rise, and all your day be bright.”
I looked to Jesus, and I found in Him my star, my sun;
And in that Light of life I’ll walk till traveling days are done.

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King of Glory (Psalm 24)

After putting up a Worship Now psalm by Gabriel Wanous yesterday I recalled that they also had a free offer on this psalm for The Presentation of the Lord earlier in the year. Alas that has expired but it is still available for $US3 at their site.

It appears they are doing exactly the kind of music OCP isn’t, so maybe they have seen a niche for their style of liturgical music. If anyone wants to let me know more about Worship Now, I’m all ears.

They use ICEL for the response and CCD for the verses so they would need to be rewritten for Australia – what a mess psalms are in the English speaking world.

I must admit there is a lot to like with this upbeat song matching the praise in the psalm. I love the instructions:

1st time: Cantor, acoustic guitar, piano, synth pad.

2nd time: full band and choir.

I wish (insert envy here). You just know they have a Nord keyboard doing the synth pad. He even goes on to specify the drum style for each verse.

I paid attention to a few, but not all, of their instructions for my backing:

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Homeland

Back to the 2026 Breaking Bread selections from OCP for 2026.

This is by Dan Schutte and is described as a “stirring, patriotic tune”.

If it meant to be about the USA, as an outsider looking from across the Pacific from a very imperfect country, the words about hope for immigrants, truth, freedom and justice seem beyond the hope of prayer. Maybe that’s why they are needed, who knows, but I would ban anything patriotic from a Catholic church anyway.

I love Schutte’s music but this one is not very stirring on a first listen.

The sheet music is available at OCP who provide the text in their preview.

Perhaps it should be sung as a lament (and maybe OCP misunderstands Schutte’s intent and he didn’t mean it to be a stirring patriotic song in any case):

Maybe lament is what Chris Brunelle is aiming for too:

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The Waters of the River (Psalm 46)

I used a free offer from Worship Now for the sheet music of the Psalm for this week, the Feast of the Dedication of the Lateran Basilica. Worship Now have modern American Catholic music and if you go there now this psalm is still free. (and may not be later). I’m not sure how much Worship Now music is used but at least they are not GIA and OCP. I thought about getting their hymnal but they wouldn’t ship a hard copy to Australia.

The text is the ICEL responses and the CCD verses, so can’t be used in Australia in any case.

The music is by Gabriel Wanous.

It is set for full band: piano, electric and acoustic guitars and drums with specific drum instructions for different verses. I look at this as I would arrangements requiring two choirs, brass and pipe organ – nice if you’ve got the artillery. I suppose the chorus would be memorable enough after a couple of listens but how often do we do the Lateran liturgy anyway.

At least I have all the instruments on BIAB and I made a quick backing:

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Springs of Salvation

Somehow it appears I have never blogged this Frank Andersen folk classic that we are singing tomorrow. How is this possible?

You can buy the sheet music at the MSC site.

I lazily imported an ancient MIDI of mine into BIAB and changed the style a little, rather than making a new backing. The original MIDI file would have been made with BIAB v.1 for Win 3.1 in the 1990s I guess.

Chorus
You will draw water joyfully from the springs of salvation:
You will draw water joyfully from the springs of salvation.

1 You are the God of my salvation;
I trust in you and have no fear.
You are the God of all my singing,
the one foundation of my life.

Chorus

2 I will proclaim to all your people
the wonders you have done for me.
You are indeed a God of Goodness,
You draw me gently to your heart.

Chorus

3 Let all who live upon God’s mountain
sing out in gladness and in joy.
The Lord of all is living with you,
The Holy one who calls to you.

Chorus

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Great God of Love

This is a very recent text and tune in a very traditional mode. It was added to Breaking Bread for 2026 by OCP.

The words are by Lynné D Gray and set here by Daniel Partridge. It’s a lovely tune and worthy text and I’ll assume a communal “I” for assembly use.

The sheet music can be purchased at OCP where the text is in their preview.

I found a different organ sound for the wind up fake BIAB organ backing.

I don’t even hate this choir sound for a change:

Once again Chris Brunelle shows a good hymn can work when performed simply.

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Good Christians All, Rejoice and Sing

This is not the Christmas carol – this is a song with a text by Cyril Alington set to GELOBT SEI GOTT (aka VULPIUS). It is suitable for Easter and Christ the King. It was added by OCP for 2026.

The text is available at Hope Publishing, who also have the sheet music. OCP have added a Trinitarian fifth verse and so claim some copyright and you can get their version there.

I found an old backing:

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For the Sake of Christ

The next song chosen by OCP for 2026 is Ken Canedo’s, “For the Sake of Christ”.

The text is based on 2 Cor 15:15, 12:7-10. The bridge can go into SATB parts if resources allow and the chanted chorus also has a harmony line that answers the main melody.

The sheet music can be purchased at OCP where the text is in their preview.

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Faithful to the Spirit’s Prompting

OCP have chosen Michael Joncas’ Lenten text as reset by Scott Crandal (PREVAIL) for 2026.

They say:

Text writer Michael Joncas states that this piece “seeks to tie together Noah’s transforming experience surviving the Great Flood, Jesus’ transforming experience during forty days of desert-dwelling, and our transforming experience by giving ourselves to the disciplines of prayer, fasting, and almsgiving that mark the Christian Lent.” Featuring a new hymn tune, PREVAIL, this intricate-sounding setting is scored modestly: two-part choir, descant, keyboard and/or guitar, and a solo instrument part in C. An accessible piece that can be quickly prepared by most ensembles, the third and final verse may be sung with the descant and the basses doubling the melody for a full, balanced texture.

If you have such modest personnel the sheet music is at OCP and the text in their preview.

This backing seeks and fails to make it something else:

Simple is better:

Their arrangement is undoubtedly fine while needing a lot of resources and goes beautifully “Voces 8” style in the descant:

Chris Brunelle shows it done simply and beautifully with taste and sensibly playing it capo 1.

Chris W has two other settings for this text – since BEACH SPRING is so well known it would make sense for a seasonal song:

Voces 8 are great:

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