Entrance: Gather Us In (Haugen) AOV 1/12
Psalm 145 (McKenna)
Praise the Lord, my soul!
Praise the Lord, my soul!
Gifts: The Cry of the Poor (Foley) AOV 1/83
Communion: A Place at the Table (Shirley Erena Murray – Lori True) AOV NG 1
Thanksgiving: You Are Mine (Haas) AOV 2/2
Recessional: We Are Called (Haas) AOV 2/60
This is another late entry for completeness from when I was away.
Entrance: Gather As One (McKenna) AOV NG 48
Psalm 17 (McKenna)
I love you Lord, my strength.
Gifts: A New Commandment (Unknown)
Communion: I Have Loved You (Joncas) AOV 1/126
Thanksgiving: Without Seeing You (Haas) AOV 2/158
Recessional: Hearts on Fire (Mangan) AOV NG 62
Since I use this blog myself to search for suggestions from three years ago, I’ll catch up with the local suggestions for liturgical music from when I was away, so that in three years time I’ll know what we used now. I think that makes sense.
Entrance: All Are Welcome (Haugen)
Psalm 125 (McKenna)
The Lord has done great things.
Gifts: Open My Eyes (Manibusan) AOV 1/166
Communion: We Remember (Haugen) AOV 1/81
Thanksgiving: Holy Darkness (Schutte) AOV 2/24
Recessional: All the Ends of the Earth (Dufford) AOV 1/76
… I’ll resume in a couple of weeks.
Just when it appears there is nothing but traditional hymns for Advent, CWB II drops this Michael Mangan bombshell. Admittedly it is twenty-three years old already but it was not originally written in Latin so that is a point of difference.
If you don’t want to get CWB II this is available in the useful collection This is the Time. You can purchase that collection with lots of other songs covering the seasons and festivals of the Church at Litmus. It is also available as a single sheet at sheetmusicplus.
The text comes from his site where he has kindly put up the lyrics.
O EMMANUEL
words & music: Michael ManganO Emmanuel,
Come into our hearts.
O Emmanuel,
We’re waiting for your light.
O Emmanuel,
God is with us now,
O Emmanuel, Emmanuel.1. We your people are waiting for you, Lord,
Waiting all throughout the earth.
We your people are waiting for you, Lord,
Waiting to celebrate your birth.2. We your people are longing for you, Lord,
Longing with hope and with joy.
We your people are longing for you, Lord,
Longing for the sign to rejoice.3. We your people are ready for you, Lord,
Ready to change and repent.
We your people are ready for you, Lord,
Ready for you to come again.
© 2005, 1995 Litmus Productions, Brisbane, Australia.
This is another traditional hymn for Advent. The text is by Abbé Simon-Joseph Pellegrin (1663-1745), translated by Sister Mary of St Philip in 1877. The tune is VENEZ DIVIN MESSIE a sixteenth century French tune that is a 6/8 carol in the public domain.
I got the chords from OCP (GAB 346). The text in CWB II reverses “show your face” and “dispel the night” in the prechorus, an alteration that does not appear in any of the page scans in Hymnary nor any lyrics on line so I wonder if it was misremembered.
This is the tune from OCP.
This is the tune from CWB II without the octave leap at “hope” in the chorus.
I guess if I persist with CWBII I’m going to get an education in the more traditional side of catholic hymnody.
This fine Advent song is a nineteenth century translation by Edward Caswall of a ? fifth to ninth century Latin text, Vox clara ecce intonat. It is set to MERTON by William Henry Monk (also nineteenth century).
There are minor variations in the text between versions — CWBII has “see” for “lo”, and “herald” for “thrilling” but otherwise the version from Hymnary below is pretty much the same as in CWBII with an amen added.
I followed ChrisW’s reminder to check Together in Song for the chords for these traditional hymns and there they were for this one.
I cranked up the old BIAB fake organ for this backing.
I’ve blogged: 237 My Soul in Stillness Waits (Haugen)
(in Gather Australia 280 but better set out in CWBII and with chords!)
This is another traditional song for Advent from CWBII. The text is from 1671 based on Isaiah 40:1-5 was written by Johannes G. Olearius and translated into English by Catherine Winkworth in 1863.
The tune is FREU DICH SEHR/ GENEVAN 42, written by Louis Bourgeois in 1551. The words and tune are public domain. The tune is basically 6/4 with some 4/4 bars in the middle. The version I have in Worship puts in barlines for people like me who struggle without them. Apart from having no chords the sheet music in CWB is identical to the version from Hymnary below.
Oh dear my version is much too slow, this is much better.
I’ve already covered:
234 Come, Lord Jesus, Come (Mangan)
235 Sing Out Earth and Skies (Haugen)
This is a newish non rhyming translation from Mount Saint Bernard Abbey of a Latin text, which is somewhere from seventh to tenth century depending on your source.
Wikipedia has several translations but this one is copyright so I won’t reproduce it here.
It is set to CONDITOR ALME SIDERUM, which I am told is Sarum plainsong Mode IV.
This is the sheet music from Hymnary with another translation.
My backing comes with the caveat that BIAB CAN’T DO CHANT. I made up the chords since CWBII doesn’t provide them.
Here is the Latin text.
Conditor alme siderum
aetérna lux credéntium
Christe redémptor ómnium
exáudi preces[voces] súpplicum
Qui cóndolens intéritu
mortis perire saeculum
salvásti mundum languidum
donans reis remedium.
Vergénte mundi véspere
uti sponsus de thálamo
egréssus honestissima
Virginis matris cláusula.
Cuius forti ponténtiae
genu curvántur ómnia
caeléstia, terréstia
nutu faténtur súbdita.
Te, Sancte fide quáesumus,
venture judex sáeculi,
consérva nos in témpore
hostis a telo perfidi.
Sit, Christe rex piissime
tibi Patríque glória
cum Spíritu Paráclito
in sempitérna sáecula.
Amen.
I’ve already blogged this song because it is As One Voice (1/39). It is also in Gather Australia (277).
The arrangement appears identical to that in Gather Australia but wins over that, because it is all on two pages rather than three. Oddly, I’ve just noticed there are no time signatures on CWBII.
Goodness, CWBII even has chords for this one but they aren’t the best for guitarists. AOV for guitar has the correct capo setting and is much friendlier on the eye for playing purposes.
Still, this song from 1982 by Bernadette Farrell is a fine Advent song and we use it in many other contexts.
