A traditional South African tune beloved of choirs everywhere. My daughter wandered in when I was making the backing because she recognised it from her choir days. This choir is pretty good even if the clip misses the beginning. There is full sheet music courtesy of Willow Creek here.
In my backing the two parts are again at opposite sides of the stereo mix. I wait until the main vocal line is established before bringing in the second line for clarity’s sake. Best sung without backing or just percussion I think.
This is, obviously, a Eucharist song from Christopher Walker. We’ve never used it, probably because of the 4/4, 3/8, 2/4, 4/4 time shifting going on. You can get an idea of how this works from the snippet at AOV. Once this is mastered it actually is quite a pleasant tune and even has a Christmas version. Because of the pauses, the song isolates the word “shed”. I think this sounds odd for Australian males who are fixated on their sheds.
It was a dog to get into BIAB and I finally managed with a combination of time and tempo changes that I think did the trick. It ended up with a faux medieval style.
Refrain
Bread for the world broken; wine for us all shed;
Word in flesh spoken:
God in love made manifest, God in love made manifest.
Verse 1
Love on the road that’s lonely, love in our minds as guide,
Love speaking words of wisdom, love walking by our side.
Refrain
Verse 2
Love on our lips to praise him, love in our eyes to care,
Love on our hands for healing, love in ours hearts to share.
Refrain
Verse 3
Love feeds our starving brother, love heals our sister’s pain,
Love is a light in darkness, love soon will rise again.
Refrain
Verse 4
Love redeems all creation, love is the only way,
Love is our song forever, so with the world we say:
Final refrain
You are the love broken; Yours is the blood shed;
You are the word spoken:
You are love made manifest, you are love made manifest.
Christmas Version
Love has come down from heaven, love blessing all the earth,
Love of our God given, love here in human birth.
Love in the eyes of shepherds, love in the Virgin’s joy,
Love in a lowly stable, love for a holy boy.
Love on my lips to praise him, love in my eyes to care,
Love on his hands for healing, love in his heart to share.
Love redeems all creation, love is the only way,
Love is our song forever, so with the world we say:
Gregory Norbet’s gentle song has to cope with a recitation in the middle. I’m never sure how this sort of thing is meant to be timed so good luck. It is a beautiful thought from the story of Ruth and would be a great, if rather intense, wedding song (minus the recitation – stick the vows in there instead!) You can listen to a nice choir sing it here.
Sung
Wherever you go, I shall go.
Wherever you live, so shall I live.
Your people will be my people,
And your God will be my God too.
Wherever you die, I shall die.
And there shall I be buried beside you.
We will be together forever;
And our love will be the gift of our lives.
Spoken
I want to say something to all of you
Who have become a part
Of the fabric of my life.
The color and texture
Which you have brought into my being
Have become a song,
And I want to sing it forever.
There is an energy in us
Which makes things happen
When the paths of other persons
touch ours.
And we have to be there
And let it happen.
When the time
Of our particular sunset comes
Our thing, our accomplishment
Won’t really matter a great deal.
But the clarity and care
With which we have loved others
Will speak with vitality
Of the great gift of life
We have been for each other.
Sung
Wherever you go, I shall go.
Wherever you live, so shall I live.
Your people will be my people,
And your God will be my God too.
Wherever you die, I shall die.
And there shall I be buried beside you.
We will be together forever;
And our love will be the gift of our lives.
We will be together forever;
And our love will be the gift of our lives.
This is Bob Hurd’s song, but I gather the verses that are usually sung are by Michael Downey. You can hear the original version here. The quality of the recording is not great but the noble simplicity of this version is wonderful. This is another song I have played so often, it is hard to know anymore if it has merit, but any song that acknowledges Jesus as stranger has my vote.
It is a risk having the same tune for the verse and chorus, but it seems to work. The revised verses make it a much more generally applicable communion song but I quite like the first original verse, although we never sing it.
This is another very popular choice of liturgists over the years at our church. It is by Dan Schutte and in 6/4 time so is hard to do on BIAB. It gets around a certain singsongyness by having a third verse, which is a bridge that blends into half a verse and a fourth verse that is also half a verse long. That said, we rarely get past the first two verses anyway.
I don’t think it is his best tune (and I love Dan Schutte music usually) but perhaps repetition has dulled my senses. If it is done like a dirge it is sadly funny when our tears are “turned into dancing” and it sounds as if dancing is the last thing anyone wants to do.
Listen to it here in the original or here for a full on treatment in a mass. I hope my backing has the easy swaying rhythm suggested. I’ve put the melody and the descant at opposite sides of the stereo mix to assist with learning the parts.
Verse 1
Awake from your slumber! Arise from your sleep!
A new day is dawning for all those who weep.
The people in darkness have seen a great light.
The Lord of our longing has conquered the night.
Refrain
Let us build the city of God.
May our tears be turned into dancing!
For the Lord, our light and our love,
has turned the night into day!
Verse 2
We are sons of the morning; we are daughters of day.
The One who has loved us has brightened our way.
The Lord of all kindness has called us to be
a light for his people to set their hearts free.
Refrain
Verse 3
God is light; in him there is no darkness.
Let us walk in his light, his children, one and all.
O comfort my people; make gentle your words.
Proclaim to my city the day of her birth.
Refrain
Verse 4
O city of gladness, now lift up your voice!
Proclaim the good tidings that all may rejoice!
I gather the Sacred Harp music that Marty Haugen used for this song was meant to be sung unaccompanied. (… or did he take the words and write new music?) This may explain my difficulty in constructing a backing that doesn’t cause me to cringe. I have heard it played like an Irish ballad on piano at a mass once in Port Stephens, which was nice, but usually it tends to become stodgy when it should be light. I once made a MIDI file by inserting every note I could find as I just couldn’t get BIAB to do anything with the 3/2 timing and the result was predictably unlistenable.
These schoolboys have an interesting take on it and you can hear a minute of the original here. My backing is still rather disappointing. Don’t forget the key change at the fourth verse and the dynamics – the verses are soft/loud/soft/soft/loud. Lastly, I play it capo 3 to save my poor fingers, at least until the key change.
The Beatitudes we do most in our parish is the one by Mike Balhoff and Darryl Ducote from a band called The Dameans way back in the 60s & 70s. Way before my time in the Catholic Church but it appears they were very big. It is a great song and builds up to a rousing chorus, which is a neat trick when you think of the gentle nature of the Beatitudes. You can hear their version and see them dressed like every respectable American folk group of the era here. They were very Mitchell Trio, Kingston Trio sounding, which is great. You could also watch a clip of the everglades (what!) and listen to a light funk version here.
Now when I first played this song I had never heard anybody play it outside our church so my MIDI version was little strange. This is a render of the original MIDI done on Band in a Box version 1.
Since you can hear the melody line so well in that version, here is a proper backing track from BIAB today with no melody line cluttering things up, so you can hear the Mark Knopfler soloist having fun.
Verse 1
Blest are you, the poor who trust the Father with your lives.
For within your heart is born, the kingdom of the Lord.
Blest are you the sorrowing, who know your Father wise.
For within your heart is born the kingdom of the Lord.
Verse 2
Blest are you, the lowly ones, who know your need to share.
For within your heart is born the kingdom of the Lord.
Blest are you whose searching souls will draw you to God’s care.
For within your heart is born the kingdom of the Lord.
Refrain
Let your light shine for all the world to see
The brightness of your life within, the peace that sets you free.
Let your light shine to fill your nights and days;
All will see the deeds you do and give your father praise.
Verse 3
Blest are you whose mercy shows the Father’s love to all.
For within your heart is born the kingdom of the Lord.
Blest are you the pure in heart, who live the Father’s call.
For within your heart is born the kingdom of the Lord.
Verse 4
Blest are you who work for peace among the Father’s own,
For within your heart is born the kingdom of the Lord.
Blest are you who suffer hate to prepare the day to come,
For within your heart is born the kingdom of the Lord.
This is the Beatitudes that every Australian Catholic knows. It was written in the 60s by Peter Kearney. It isn’t in As One Voice, so I thought I’d drop it in after David Haas’s setting in the previous post.
This setting of the Beatitudes has never been used in our church to my knowledge. Being Australian we know the Kearney one and we also do the Balhoff/Ducotte setting, so that might be enough. David Hass has written a very beautiful setting nonetheless.
The text is available here. It can be purchased for download at GIA.
It does suffer from the problem of the same tune but words having to fit differently in each verse. A nice instrumental version (piano) with instructional video is available here. This ordinary (in the best sense) choir do a nice version here. My version tries for the tender and prayerful as instructed in the music.
This is a song from the nineteenth century to the tune Kingsfold with words by Horatius Bonar. I have a distorted memory that every second song in the old blue hymnal in the Presbyterian church I grew up in was by Horatius Bonar and this one one of the three tunes to which we sang everything. That can’t be right of course, this is much too nice a tune for us to have sung. This site has a cd with 13 000 pages of Mr Bonar if you feel the need.
This is a version by an angelic young voice that will make you feel plain and old, but there you go. I’m not sure what’s going on with my version but you should be able to learn the tune from it, and that may have to do.
Verse 1
I heard the voice of Jesus say,
“Come unto me and rest;
lay down, thou weary one, lay down
thy head upon my breast.”
I came to Jesus as I was,
so weary, worn, and sad;
I found in him a resting place,
and he has made me glad.
Verse 2
I heard the voice of Jesus say,
“Behold, I freely give
the living water; thirsty one,
stoop down and drink, and live.”
I came to Jesus, and I drank
of that life-giving stream;
my thirst was quenched, my soul revived,
and now I live in him.
Verse 3
I heard the voice of Jesus say,
“I am this dark world’s light;
look unto me, thy morn shall rise,
and all thy day be bright.”
I looked to Jesus, and I found
in him my Star, my Sun;
and in that light of life I’ll walk
till traveling days are done.
I've worked my way through the As One Voice books and other collections making backings on Band in a Box to help me (& you if you're interested) learn new songs for church. This is aimed at churches and musicians that own the collections but haven't exploited them fully. If you don't have them they are certainly worth buying. This site is educational, nonprofit and designed to enhance the commercial prospects of songwriters. This site does not distribute copyrighted sheet music.
Disclaimer
Any opinions expressed here are personal views and not the responsibility of any Church.
All music backings posted are created by myself and the intention is for them to be used to learn the songs. If any copyright holder wishes me to cease publicising and promoting their wares and directing people to where sheet music can be legally purchased please let me know.
Mason’s “Mass of Glory and Praise”
To access my backings for Paul Mason's mass go to Feb 2011 in the archive.