The Season Calls Us GAB 532

This is a chant for Lent with a text by Harry Hagan set to CONDITOR ALME SIDERUM.

The text is the preview at OCP, where you can purchase the sheet music.

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There Is A River GAB 521

This is a worthy gospel styled song in anticipation of the Reign of God, by Tim Manion. It goes to rather high notes and you will need an assembly that can handle this genre without a train wreck.

OCP kindly provide the text in their preview and you can buy the sheet music there as well.

This my rather ham-fisted gospel backing on BIAB.

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Music for the Sixteenth Sunday in Ordinary Time Year A 18th/19th July 2020

Entrance: Gather Us In (Haugen) AOV 1/12

Psalm 85 (McKenna)

Lord you are good and forgiving.

Gifts: A Trusting Psalm (Bates) AOV 1/115

Communion: Bread of Life  (Farrell) AOV 1/164

Thanksgiving: Holy Spirit of Fire (Mangan)

Recessional: As a Fire is Meant for Burning  (Duck) GA 881

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There is a Balm in Gilead GAB 519

This is a spiritual based somewhat on Jeremiah 8:22.

Is there no balm in Gilead; is there no physician there? Why then is not the health of the daughter of my people recovered?

Although it is PD, OCP sell the sheet music here.

Refrain: There is a balm in Gilead
To make the wounded whole
There is a balm in Gilead
To heal the sin-sick soul

1 Sometimes I feel discouraged
And think my work’s in vain
But then the Holy Spirit
Revives my soul again

2 If you cannot preach like Peter
If you cannot pray like Paul
You can tell the love of Jesus
And say, “He died for all”.

3 Don’t ever feel discouraged
For Jesus is your friend
And if you lack of knowledge
He’ll ne’er refuse to lend

One in Faith page 715
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The Word of God was from the Start GAB 518

This is a repetitive chant based on John 1:14 by Thomas H. Troeger set to JESU DULCIS MEMORIA.

The text is in the preview at OCP where they sell the sheet music.

This is a terrible backing I made some time ago. (BIAB is lousy at chant in my hands at least)

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The Sun Arose in Clouds of Fire GAB 515

This is a powerful Easter poem by Genevieve Glen set to ROCKINGHAM. I’ve never heard it sung and can find no performances on the web.

I encourage you to read her text in the preview at OCP, where they also sell the sheet music.

Common Praise: A new edition of Hymns Ancient and Modern page 669
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The Stone Which the Builders Rejected GAB 512

The Guitar Accompaniment Book c2005 that I purchased second hand some years ago is a truly remarkable book if not quite the “Hitch Hikers Guide to the Universe”. For what seems like forever I have been (on and off) surveying its contents for the songs that I haven’t already covered from other volumes. If I skip one it means I have blogged it elsewhere.

This is the Grail translation of Psalm 188 set by Bernadette Farrell. For all the triplets the refrain remains singable by an assembly and she has done her usual fine job on the verses for the cantor.

OCP provides the text in their sample and also sell the sheet music.

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The Spirit Is A Movin’ GAB 510

This song is a folk styled song from the sixties, and it sounds like it for good or ill. Happily, I love sixties folk music, but this is from before my time in the Catholic church and I was unfamiliar with it. It is by Carey Landry and Carol Jean Kinghorn-Landry, although the sheet music lists only his name. It is obviously for Pentecost but it is also a gathering song. It must have been high rotation in the USA in the past

The title reminds me of Stan Freberg’s “Elderly Man River” – dropping the “g” is authentic! (see 2:19 in the clip)

The text is here (scroll down).

OCP sell the sheet music.

My backing goes country on BIAB.

Talking about authentic – this is how it sounded in the sixties:

This is a later bland version by Landry.

Chris Brunelle re-injecting the Spirit:

Nice harmonies:

From a folk mass:

A full bore performance powered by MIDI:

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The Snow Lay on the Ground GAB 509

This is an anonymous c19 text supposedly based on Isaiah 7:14 set to VENITE ADORAMUS.

To be picky it is actually a hymn based on traditional sources from outside the canon that create an aural nativity scene for those in cold climates in the Northern hemisphere. The snow only lays on the ground in a particular localised imagination and the song is out of time and place in the heat of a Southern Christmas.

OCP sell the sheet music but it is PD.

1.
The snow lay on the ground,

the stars shone bright,

When Christ our Lord was born

on Christmas night.

Veníte, adorémus Dóminum,

Veníte, adorémus Dóminum.

Refrain
Veníte, adorémus Dóminum,

Veníte, adorémus Dóminum.

2.
’Twas Mary, Virgin pure

of holy Anne,

That brought into this world

the God made man.

She laid him in a stall at Bethlehem;

The ass and oxen shared the roof with them.

3.
Saint Joseph, too was near

to tend the child;

To guard him and protect

his mother mild:

The angels hover’d ’round, and sang this song:

Veníte, adorémus Dóminum.

4.
And thus that manger poor

became a throne;

For he whom Mary bore

was God the Son.

O come, then, let us join the heav’nly host,

To praise the Father, Son, and Holy Ghost.

Breaking Bread (Vol. 39) page 180
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The Seven Last Words from the Cross GAB 508

This is quite the production for Good Friday; and Lent in anticipation of that. It is by Anne Quigley and starts with a Latin refrain sung by the assembly or choir “at least three times” to begin with. This is followed by a cantor singing snatches of the words of Christ from the cross. It goes ten minutes or so with a coda from John 3:16.

OCP provide the text in their preview and sell the sheet music. If you have the choral resources it would be a veneration of the cross to never forget.

This backing includes the interludes and with no chords provided BIAB goes off the rails somewhat.

This is what it is meant to sound like:

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